روش تحقیق در انگلیسی ( DECONSTRUCTION )

روش تحقیق در انگلیسی ( DECONSTRUCTION )

اسلاید 1: DECONSTRUCTION by Stuart Sim

اسلاید 2: IntroductionDeconstruction is a form of textual practice, derived from the work of the French philosopher Jacques Derrida, which aims to demonstrate the inherent instability of both language and meaning.Derrida is possibly best approached as the latest, and in many ways the most radical, exponent of philosophical skepticisma tradition whose brief has been to undermine the timehonoured assumptions of Western philosophical enquirythat truth is not a relative notionwords have determinate meanings. Derrida’s claim that deconstruction is to be regarded as the heir to Marxism has succeeded in provoking fresh controversy.The extent of deconstruction’s influence in its heyday, particularly in academic circles in the USA, can be gauged from the following remarks by a US critic:

اسلاید 3: There can be no denying that the representation of ‘crisis’ in criticism in the late 1960s is the work of deconstruction and those it influenced. the polemical conflicts which resulted both from this declaration of crisis to which deconstruction is the rigorously appropriate response and the rising prominence of deconstructive techniques sustained the seeming vitality of the institution through the 1970s and into the 1980s. no matter which ‘side’ one takes in the battle, the fact is that deconstruction effectively displaced other intellectual programs in the minds and much of the work of the literary avant-garde. Derrida’s keenest followers have arguably been the ‘Yale critics’Geoffrey HartmanHarold BloomPaul de Man J.Hillis MillerPaul A.Bove Derrida himself is at best ambivalent about ‘American’ deconstruction, and has attacked it on severaloccasions.

اسلاید 4: Primary and secondary readingDerrida’s best-known, and in general most accessible, work is Writing and Differencecollection of essays which contains two of his most trenchant critiques of structuralist methodology‘Force and Signification’ ‘Structure, Sign and Play in the Discourse of the Human Sciences’Some Work’s of DerridaGrammatology (Baltimore and London: Johns Hopkins University Press, 1976)Margins of Philosophy (Brighton: Harvester Press, 1982)Positions (London: Athlone, 1981)The Post Card: From Socrates to Freud and Beyond (Chicago and London: University of Chicago Press, 1987) The Truth in Painting (Chicago and London: University of Chicago Press, 1987) Spectres of Marx: The State of the Debt, the Work of Mourning, and the New International (London: Routledge, 1994).